As far as history goes back, art and architecture have always been interrelated disciplines. From the elaboration of the Baroque movement to the geometric framework of modernism, architects found inspiration from stylistic approaches, techniques, and concepts of historic art movements, and translated them into large-scale habitable structures. In this article, we explore 5 of many art movements that paved the way for modern-day architecture, looking into how architects borrowed from their characteristics and approaches to design to create their very own architectural compositions.
As a landscape architect, Dan Kiley has significantly contributed to the world of design. The designer worked with influential architects such as Louis Kahn, I.M. Pei, and Eero Saarinen. Influenced by the timeless landscapes of André Le Nôtre, most of his designs are well-known for their manner of merging grids and allées, striking a balance between natural and organized beauty.
Opening January 18th, “The Landscape Architecture Legacy of Dan Kiley” exhibition is a traveling photographic exhibition honoring one of the most critical Modernist landscape architects. Curated by The Cultural Landscape Foundation, the display aims to explore and spread awareness of the architect’s profound impact. Showcased at The Exhibition Space @ ABC Stone in Brooklyn, the show offers a captivating journey through 27 carefully chosen designs by Dan Kiley.
Exterior view of Doshi’s Sangath Architect’s Studio, Ahmedabad, Image by Iwan Baan. . Image Courtesy of Vitra Design Museum
As we step into the new year, we take a moment to reflect on the lasting impact of celebrated architects, designers, and curators who passed away in 2023. This past year witnessed the departure of influential figures who, through their talent and dedication, left an indelible mark on the built environment. Some embarked on their careers with bold gestures that reshaped architectural paradigms, while others worked quietly, placing a profound focus on the human experience or the invisible figures of out profession.
In Downtown Cairo, the Jameel Center pays homage to modernism and Mamluk architectural heritage. The Abdul Latif Jameel Center for Middle East Management Studies illustrates effective and adaptable architecture. The old business education building, a monument in Cairo's multi-layered architectural and academic heritage with staple elements such as concrete façades, has Mamluk-inspired arches, and wooden mashrabiyyas. Photographer Ebrahim Bahaa Eldin captures this unique architecture and its surrounding environment.
Tashkent: Appropriating Modernism, installation view showing a reproduction of the columns and canopy of the Zarafshan restaurant at 1:2 scale, original and contemporary forms. Photo: Ivan Erofeev.. Image Courtesy of Uzbekistan Art and Culture Development Foundation
The Uzbekistan Art and Culture Development Foundation and Wael Al Awar have jointly unveiled “Tashkent: Appropriating Modernism” at the Sharjah Architecture Triennial. The showcase spotlights three essential instances of modern architecture in Tashkent, Uzbekistan. Crafted by Wael Al Awar, founder and principal architect of waiwai, the initiative presents the three case studies and their significant evolution.
Often referred to as the “City of Music,” Vienna stands as a living testament to architectural evolution across centuries. Bring together an array of styles, ranging from the grandeur of Baroque palaces to the innovative Art Nouveau designs and the Vienna Secession movement, visitors are drawn to the city for its architectural marvels. Vienna's eventful past is reflected in its architectural landscape, which has withstood wars, imperial expansions, and the changes of numerous artistic trends while managing to maintain its unique identity as a symbol of resilience and reinvention.
From Adolf Loos, whose radical ideas challenged the trends of his time, to Otto Wagner, a pioneer of Viennese Modernism, Vienna's architectural legacy continued to evolve. Fast-forwarding to contemporary times, Vienna's skyline bears the mark of internationally renowned architects like Zaha Hadid, whose fluid and futuristic designs push the boundaries of architecture. Hadid's work, including the Library and Learning Center at the University of Economics and Business, offers a dynamic contrast to the city's historic landscape. Moreover, firms like CRAB Studio, founded by Sir Peter Cook and Gavin Robotham, bring experimentalism to Vienna's architecture, infusing contemporary concepts into the urban fabric. These architects and firms contribute to Vienna's architectural richness, adding new chapters to its storied history while honoring its innovation and artistic legacy.
Born in the post-war period in the United Kingdom, the Brutalism movement was first met with skepticism but has found a new appreciation in the last decade, capturing the imagination of new designers fascinated with the interplay between striking geometric shapes and the exposed raw materials in which they are rendered. From Britain, the movement spread throughout Europe, Southeast Asia, and Africa, gathering different variations influenced by the cultural and socio-economic status of each area. In this article, we delve into the particularities that define Italy's contribution to the Brutalist movement, exploring the style through the lens of Roberto Conte and Stefano Perego. The two photographers have also published a photographic essay on the subject, taking the form of a book titled “Brutalist Italy: Concrete Architecture from the Alps to the Mediterranean Sea”.
Since the advent of Modernism, architects have become schizophrenic in dealing with the reality of time. This is a problem, because time and gravity are two universal forces. Architects are exquisitely good at dealing with gravity—it is present in everything we design. We study it and engineer its unrelenting requirements. Gravity does a symbiotic dance with structure. No matter how a design feigns weightlessness, its mass cannot be denied. Architects must deal with gravity, whether it’s Frank Lloyd Wright’s sagging balconies at Fallingwater or today’s steroidally enhanced parametric buildings.
UN Headquarters in New York. Photo by the blowup, via Unsplash
In 1945, the declaration of the end of World War II brought a wave of euphoria to the streets, and optimism permeated the atmosphere with the promise of brighter days. Inspired by this newfound hope, the United Nations Organization (UN) was established in the same year. The vibrant city of New York was chosen as the headquarters location, and an international team of carefully selected and invited architects was tasked with conceiving the project.
For this ambitious and truly international project, eleven renowned architects were brought together from various corners of the world. These architects, often known for their inflated egos, a common trait in their profession, were accustomed to exercising full control over their architectural designs and even their respective countries. They had to coexist in the same space and collaborate on a single project. The successful collaboration on this project would be a compelling demonstration of the possibility of achieving world peace.
The history of 'neutral colors' is a fascinating journey through the evolution of human aesthetics and design sensibilities. Closely related to the makeup of materials organically found in nature, the color chorus of whites, grays, and earthy brown tones has played a pivotal role in artistic expression, fashion, interior design, and architecture for millenia. From the understated hues of early clay, straw, wood, or brick architectural structures to the now prevalent contemporary interior style, neutral colors have transcended cultural boundaries and continue to hold a special place in our visual landscape – offering a sophisticated elegance and versatility that has stood the test of time.
For the Indian subcontinent, the mid-1900s marked a transformative period, brimming with turmoil and hope. Leaving a century of British rule, India and the newly formed countries of Pakistan and Bangladesh held onto an optimistic vision of a transformed society. The newfound independence invited the international Modernist movement to envision a fresh identity for the nations. Spearheading the movement in Bangladesh was the architect Muzharul Islam whose work continues to influence contemporary Bangladeshi architecture.
In Porto Alegre, the building of the Iberê Camargo Foundation; in the city of Porto, the office of Álvaro Siza, the architect and author of the celebrated project for the institution's headquarters, inaugurated in 2008. Throughout 70 minutes, the documentary "Paisagem Concreta" or Concrete Landscape navigates between these two ports.
https://www.archdaily.com/1007293/concrete-landscape-alvaro-sizas-documentary-is-available-for-streaming-nowArchDaily Team
Polish-Israeli architect Zvi Hecker, internationally recognized as an influential figure of Modernism in Israel, as well as a painter, illustration artist, and furniture designer, has passed away at the age of 92, as reported by Moderne Regional. Throughout his career, Hecker combined geometry and modularity with asymmetry and spiraling complex compositions inspired by the pattern of sunflower seeds, a recurring inspiration for his work. His complex geometric explorations are exemplified in a variety of projects on various scales and programs, including the Spiral Apartment House in Ramat Gan, Israel (1981–1989), the Heinz-Galinski-Schule in Berlin, Germany (1992–1995), and the crystal-like Synagogue in the Negev Desert, Military Academy, Israel, (1969).
Sometimes sculptural and expressive, sometimes monolithic and monotonous, the Brutalist architectural style is equal parts diverse and divisive. From its origins as a by-product of the Modernism movement in the 1950s to today, Brutalist buildings, in architectural discourse, remain a popular point of discussion. A likely reason for this endurance is — with their raw concrete textures and dramatic shadows, brutalist buildings commonly photograph really well.
Text description provided by the architects. After World War II, the need for housing was at an unprecedented high. The Unite d’Habitation in Marseille, France was the first large scale project for the famed architect, Le Corbusier. In 1947, Europe was still feeling the effects of the Second World War, when Le Corbusier was commissioned to design a multi-family residential housing project for the people of Marseille that were dislocated after the bombings on France.
On January 21, 1958, three women sat down as contestants for an episode of the popular television show "To Tell the Truth", a quiz game in which a panel tries to guess which of the three contestants is who they say they are by asking them a series of questions. The announcer reveals the true identity of the person is a registered architect, has so far designed a Hilton hotel, and is a married mother of four. Each of the women, dressed formally in pencil skirts and blouses, introduces themselves as Natalie De Blois. As the panelists reveal their lack of knowledge about architecture, only firing off questions about Frank Lloyd Wright, one asks "What is the name of the building that was torn down to build Union Carbide?" The real Natalie De Blois, at the time a senior designer at SOM, firmly answers, "Hotel Margery."
Architecture is one of the oldest recorded professions, dating back to ancient eras when builders designed historic huts and constructed some of the great wonders of the world. When we think about women who have been known as trailblazers of the industry, it's astonishing that we often talk about women who we may interact with in the workplace day to day, or who our mentors may have learned from. Natalie De Blois was a modern-day pioneer of women in the design workforce, and although her legacy began only seventy years ago, it has significantly changed the way that women can participate in the profession today.
The luxury hotel, as an architectural typology, is distinctive. In effect, it's a self-contained community, a building that immerses the well-off visitor into their local context. Self-contained communities they might be, but these hotels are also vessels of the wider socioeconomic character of a place, where luxury living is often next door to informal settlements in the most extreme examples of social inequality.
